Note: the fine details in these photos suffer badly from image compression for the web. I highly recommend seeing them in person if you get the opportunity.
digitally composited macro photographs, 2025.
In Fur, I explore fur as a visual and textural concept through macro photography. A direct follow-on to my previous series Territory which highlighted people with non-human identity, Fur abstracts the experiences these people have shared with me, as well as my own experiences in my process of self-inquiry.
The scale at which these composite photographs are printed transforms relatively mundane objects into complex, interconnected landscapes. Both this and the methodology required to achieve the fine details calls for an obsessive focus that reflects my own mental approach to grappling with the subject matter – vision-filling, repetitious, at once sharp and hard to define. Fur is an invitation to experience from a distance what I see up close.
